For a record as dense as Close to the Edge , the resolution matters. The jump from standard CD quality to 24-192 provides:
Listening to this 192kHz file is less like hearing a record and more like sitting in Advision Studios in 1972. The Low End
In 2013, Steven Wilson was tasked with remixing the original multi-track tapes. His approach was surgical yet respectful. Sonic Improvements Yes - Close To The Edge -2013- -FLAC 24-192-
Look for "neutral" signatures to hear the remix as Wilson intended.
Jon Anderson, Steve Howe, and Chris Squire’s three-part harmonies are legendary. At 24-bit resolution, the individual textures of their voices are distinguishable, creating a lush, choral effect that feels organic. 🛠️ Requirements for the Best Listen For a record as dense as Close to
The 12-string acoustic guitars have a crystalline shimmer that was previously muffled in older digital transfers.
The 2013 high-definition remaster of Yes’s 1972 masterpiece, Close to the Edge , remains the gold standard for audiophiles. Presented in FLAC 24-bit/192kHz, this version—meticulously helmed by Steven Wilson—breathes new life into what many consider the pinnacle of progressive rock. 💎 The Technical Edge: Why 24-bit/192kHz? His approach was surgical yet respectful
The FLAC format preserves every bit of the original master tape's detail.
Subtle acoustic passages don't get lost next to thunderous organ swells.
Chris Squire’s bass is the heart of Yes. In this high-res format, the "growl" of his tone has a physical weight. It anchors the complex time signatures without overwhelming the mix. The Vocal Harmony